Wednesday, 13 August 2008

The Cap of St. Birgitta

In the latest volume of Medieval Textiles and Clothing Camilla Luise Dahl & Isis Sturtewagen present a new analysis and interpretation of the so-called "St. Birgitta's Coif". They argue, very convincingly, that it is not a coif which ties under the chin (something which is typically associated with men), but a cap where the ties are meant to be drawn backwards towards the back of the head instead, resulting in a headdress that would look a lot like these ones from the Maciejowski Bible.



The cap is made up of two pieces of linen fabric sewn together with interlaced herringbone stitch. 8.5-9 cm is left unseamed at the back, creating a split. The bottom edges are pleated and the cap is edged with an embroidered linen strip that continues on to form the ties. Together, the split and the pleated edges create a "pouch" at the nape of the neck when the cap is worn (Dahl & Sturtewagen, 131-133).

At Historiska Världars forum, a Swedish re-enactment forum, reconstructions of the cap have been discussed over the past few weeks, and since I'm currently making myself a late 13th - early 14th century wardrobe I was inspired to make one myself.

My goal was to use the construction of the Cap of St. Birgitta, make it fit my head (which is a lot bigger than what the original wearer's appears to have been...) and at the same time achieve something that looked like what the women are wearing in the Maciejowski Bible. I found that the biggest obstacle to do this was my hair - there simply isn't enough of it to give any kind of cap that characteristic pear-shape! As Åsa Vävare at Historiska Världars forum clearly demonstrates in this picture, the hair makes all the difference (it's the same cap worn first "without" hair, then "with" hair)...

To make my cap, I first took a measurement from the top of my head to the nape of my neck, i.e. the part of my head the cap would cover. I added 8 cm to the measurement (for the split) and used that as a guide when I cut the curve of the two pieces that make up the cap. I made a cotton mock-up to try out the pattern and promptly discovered that the "pouch" was much too large for my short and very thin hair. The cap sagged and looked pretty sad and deflated unless I used the ties to scrunch it up. And the "scrunched-up" version didn't look much like the images in the Maciejowski Bible. For mock-up no. 2, I only added 2 cm for the split, which resulted in tighter cap with a less pronounced pouch that fit me much better, so I used this pattern for my linen cap.

The finished cap

The final version still looks a little deflated, but that can be remedied with a couple of fake hairpieces...

Fake hair!

I made these braids from unspun flax and they can be arranged in a number of ways to boost my flimsy pigtails; as long as I cover them up properly they work really well, and I too can have at least the semblence of proper hair!

The cap worn with fake braids

It can also be worn with the ears showing, as in most of the images in the Maciejowski Bible:


The decision to make the split very short naturally makes my cap less like the original, with its 8.5-9-centimetre split, but it certainly looks better on me. It's nice and tight, which makes it practical to wear as a foundation for a veil too.

To join the two halves of the cap, I used a scaled-down version of the interlaced herringbone stitch described by Dahl & Lester in Medieval Textiles and Clothing 4. I've never done any kind of interlaced stitch before, so I decided to keep it simple and made the seam rather narrow - unlike the original where it's approximately 1.7 cm wide. The next cap I make will definitely have a more complex embroidery; it was so much fun to try something new!

I haven't had the opportunity to wear my cap for a full day yet, so I don't know how it will work when really put to the test, but for now I'm reasonably pleased with it. With a few more experiments I think I can find a cut that works better for me, but I'm certain I will still need some sort of stuffing to achieve the right shape...


My version of St. Birgitta's Cap


References:
Medieval Textiles and Clothing 4 (eds. Netherton, R. & Owen-Crocker, G. R.):
Dahl, C. L. & Sturtewagen, I. 2008. "The Cap of St. Birgitta", 99-129.
Dahl, C. L. & Sturtewagen, I. 2008. "Appendix 6.1. The Construction of St. Birgitta's Cap", 130-134.
Dahl, C. L. & Lester, A. M. 2008. "Appendix 6.2. The Embroidery on St. Birgitta's Cap", 135-142.

Martinsson, Å. Birgittas huva
(http://www.textilverkstad.se/pdf/funderingar_kring_en_huva.pdf)

18 comments:

Isis said...

wow! it's soooooooo nice to see your reconstruction of the cap :)

Arachne said...

Well, I couldn't have done it without your article :-)! Just wish I had more hair...

Isis said...

i'm working on the hair bit :)
but you do know that they used false har made of flax?
there's several founds of fake flax braids in the netherlands.

Arachne said...

I didn't know there were actual finds of flax braids! That's great! Do you know where they were found? Are they published?

Machteld said...

It's beautiful, I'd love to try that too!

Isis said...

One find is from 's Hertogenbosh and the other is I think from Deventer (both in the Netherlands).

They are both published in Dutch. I think the 's Hertogenbosh publication will be rather hard to find, so if you like I could send you a copy or scans from the chapter with the braids.

I will have to look up the other one in a couple of weeks when I'm back in Holland, since I haven't got the book at home.

Arachne said...

It would be great if you would take the trouble to scan the relevant pages for me, Isis! No hurry, though! You can e-mail me at windwraith - at - hotmail - com

Isis said...

hi!
did you receive the scans?
I sent them to you last week.

cheers,
isis

Arachne said...

Oh, yes...I forgot to reply and thank you - life's been a bit hectic lately what with a new job and everything...

Marianne said...

This is lovely work! Makes me want to jump centuries for once. :)

Do you know if there's a particular social class or style associated with it? A friend is interested in making one for her persona.

Thanks!!

Arachne said...

Marianne: I think Isis and Camilla must have written about that in their article.

In the Maciejowski Bible, a lot of working women seem to be wearing the cap - Ruth in the field is one and others who could be interpreted as servants too.

But then again, to me the original cap of St. Birgitta seems to represent skilled craftsmanship and the time invested in the embroideries is also something to take into account. But I'd check with what Isis and Camilla wrote; I'm sure their ideas are better sourced than mine ;-)!

Marianne said...

Thank you! :)
I can't quite afford another expensive book right now, But I'll add it to my pile of cool things to get.

Cheers!

Factorial said...

Oooooooooooo!

I'm a 13th century nerd who stumbled on this kind of by accident and I cannot WAIT to make one of these. Thank you so much for posting this!

I've been wanting a "Maciejowski cap" for a while as I have kind of the opposite problem from you -- I have so much hair that a lot of period head coverings are actually problematic for me, especially when I try to do things like cook over an open fire.

I had seen the St Birgitta coif before but had never made the connection (or seen anyone else make it) -- many thanks to your sources, and to you.

Arachne said...

Factorial:
Have you seen this blog:
http://users.livejournal.com/aure_/21464.html?

Yet another version of the cap. And she went for the full embroidery!!

Christina said...

hi!! Nice reconstruction you did!! Have you any knowledge about where to find a (english) explination about how to cut it (if possible with measures) and how to do the Herringbonestitch?

Greets!
Christina

Arachne said...

Christina: All the construction info and description of the full version of the herringbone stitch is in "Medieval Textiles and Clothing 4" (eds. Netherton, R. & Owen-Crocker, G. R.). The details of the article are listed under References at the end of the post!

CH said...

Hi. Is it possible you sent me the pattern? I ´ll really appreciate.
My email is quienconducia@hotmail.com
Thanks

Arachne said...

CH: I don't have a pattern. You have to get hold of the article or take a look in the pdf-file listed under references where you can find Åsa's Birgitta-cap pattern.